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Original Title: The Magic Barrel and Other Stories
ISBN: 0374525862 (ISBN13: 9780374525866)
Edition Language: English
Characters: Arthur Fidelman
Literary Awards: National Book Award for Fiction (1959)
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The Magic Barrel Paperback | Pages: 240 pages
Rating: 3.99 | 2164 Users | 130 Reviews

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Winner of the National Book Award for Fiction

Bernard Malamud's first book of short stories, The Magic Barrel, has been recognized as a classic from the time it was published in 1959. The stories are set in New York and in Italy (where Malamud's alter ego, the struggling New York Jewish painter, Arthur Fidelman, roams amid the ruins of old Europe in search of his artistic patrimony); they tell of egg candlers and shoemakers, matchmakers, and rabbis, in a voice that blends vigorous urban realism, Yiddish idiom, and a dash of artistic magic.

The Magic Barrel is a book about New York and about the immigrant experience, and it is high point in the modern American short story. Few books of any kind have managed to depict struggle and frustration and heartbreak with such delight, or such artistry.

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Title:The Magic Barrel
Author:Bernard Malamud
Book Format:Paperback
Book Edition:Special Edition
Pages:Pages: 240 pages
Published:July 7th 2003 by Farrar, Straus and Giroux (first published 1950)
Categories:Short Stories. Fiction. Classics. Literature. Jewish

Rating Out Of Books The Magic Barrel
Ratings: 3.99 From 2164 Users | 130 Reviews

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I was pretty surprised by this collection of short stories. There were no happy endings, and very many sad poor men but I was so enthralled by so many of these stories. "The First Seven Years" made me want to cry especially with that last line. "The Mourners" was also heartbreaking and spoke at length about what it means to occupy a space and what it means to be an old man alone. "The Girl of My Dreams" was so funny yet heartbreaking, I was so surprised by the ending and I liked that it was a

I quenched my thirst for great storytelling while trapped in airports and belted in seats on two planes today. No interruptions -- a rarity -- so I hunkered down and finished the first in a series of National Book Award winning collections of short stories for my book club. I've wanted to read Bernard Malamud for years and finally did it. He's a brilliant writer and I learned much reading and re-reading his exquisitely rendered sentences. He made it look effortless. Those who write know how

Stories told in such a clear, masterful style that it almost hurts about people whose self-image is disturbed and expectations deceived by an intervention of a sometimes mystical factor, a spiritual contingency, as it were, following a long ruinous chain of mundane contingencies that brought them to where they stand in the beginning of their story.Mostly set a decade or so after the war among Jewish immigrants in the US, with several forays into Italy and sometimes involving other ethnic

Masterful craftsman.

One of the greatest collections of fiction ever written. Malamud was a late bloomer: these stories of longing for a better life, his constant theme, were composed in Oregon, as he looked back on his life as a New Yorker, one who'd been to Italy, burned his early novels in a flaming barrel, grown up in a store that sold small goods for small profit. His stories operate in a logical atmosphere created by his prose. Essentially 19th century in character, men and women are easily sketched by their

Bottom line first. Bernard Malamud is a writer of fine tightly, crafted prose. The subject matter and emotional content are not likely to be of interest to younger readers. The Magic Barrel is not light summer beach read short stories. If one considers the mood, these are more appropriate for late fall and its increasing darkness. Something like a short story version of singing the blues. There is little objectionable in the way of sex, violence or crude language. A lot of my decision to read

This story collection came out in 1959 and contains the well known title story, but also has several other very good stories. It won the National Book Award as well. As I have previously stated in reviews, the age of the writer (here in a kind of debut effort) lends itself to an already mature and thoughtful work (this was also true for many of Raymond Chandlers stories as well as the story collection A Lucky Man by Jamel Brinkley). The result here is several stories that know what theyre doing

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