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Original Title: Autobiography
Edition Language: English
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Autobiography Paperback | Pages: 457 pages
Rating: 3.63 | 10684 Users | 1045 Reviews

Interpretation To Books Autobiography

Steven Patrick Morrissey was born in Manchester on May 22nd 1959. Singer-songwriter and co-founder of the Smiths (1982-1987), Morrissey has been a solo artist for twenty-six years, during which time he has had three number 1 albums in England in three different decades.

Achieving eleven Top 10 albums (plus nine with the Smiths), his songs have been recorded by David Bowie, Nancy Sinatra, Marianne Faithfull, Chrissie Hynde, Thelma Houston, My Chemical Romance and Christy Moore, amongst others.

An animal protectionist, in 2006 Morrissey was voted the second greatest living British icon by viewers of the BBC, losing out to Sir David Attenborough. In 2007 Morrissey was voted the greatest northern male, past or present, in a nationwide newspaper poll. In 2012, Morrissey was awarded the Keys to the City of Tel-Aviv.

It has been said 'Most pop stars have to be dead before they reach the iconic status that Morrissey has reached in his lifetime.'

Autobiography covers Morrissey's life from his birth until the present day.

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Title:Autobiography
Author:Morrissey
Book Format:Paperback
Book Edition:Penguin Classics
Pages:Pages: 457 pages
Published:October 17th 2013 by Penguin Books
Categories:Music. Nonfiction. Biography. Autobiography. Memoir

Rating Out Of Books Autobiography
Ratings: 3.63 From 10684 Users | 1045 Reviews

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I probably would've given this five stars had it not been for the absurdly long section on the Smiths trial. While I understand Moz's need to set the record straight from his POV, I would've still seen his points in a fraction of the word count and with a lot less repetition. Reading it was akin to watching a wounded animal strike out at its tormentors. The bitterness bled through what seemed like freshly sutured lacerations, despite the passing of so much time. That section notwithstanding,

I was going to write a grand, illuminating review of Mozzer's book, but alas I just cannot gather my thoughts cohesively enough to do justice. Therefore, these are my disjointed thoughts and quotes that spoke to me:~This book is a treasure trove of music and film references. I found myself making playlists from the get-go. It's fun to hear and see what has inspired and continues to inspire Morrissey.~From the very first page this was one of the most brilliantly written books I've ever read. It

I'm fan of Morrissey and The Smiths however I'm not much into celebrity personal life and so I knew next to nothing about him or the band before reading this book. But, of course, I'd heard of Morrissey being self-centred and arrogant prick but while reading and googling a lot, I come to conclusion that's bullshit. And now, I how to say that after reading his autobiography, I've found him likeable and all kind of awesome human being. And he can write I expected it to be bleak read and while

Oh sheesh, y'all. Not since reading 'Me Talk Pretty One Day' have I laughed as much as I did whilst reading this 457 page opus. Nonstop LOLS. This is 100% hardcore, uncut, Morrissey bitching about ingratitude, loathing, meat eaters, and various other things he hates. If you can't handle the HeAT(e) <- ok i tried, then get out of the angry vegetarian kitchen. But if you're like me, and you love bitchery (which autocorrect just changed to "butchery" oh the irony!), walls of text, and unhealthy



It has been some considerable time since I have hated a book as much as this one, as is evidenced by the amount of time it took me to finish it.It starts off promisingly enough, with a colourful description of the Manchester of Morrissey's childhood, and some accounts of the television programmes, music and poets that inspired him. That first 20% of the book was actually pretty good - it clearly was the section of the book that he spent the most time on, and it was interesting to read his

Morrissey's long-ish autobiography is at its best when he is writing about the things he is most enthusiastic about (his teenage love of the New York Dolls, David Bowie, T. Rex, Jobraith, the Sex Pistols, and the Ramones; his best friendships; his fans; the musical output of The Smiths). When he is a critic (his bleak upbringing in Manchester; the litigious entanglements of The [Post-] Smiths; NME), he becomes insufferable (mostly because he is long-winded in these sections), though his

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