The Vicar of Wakefield 
New to this edition is an introduction by Robert L. Mack that examines the reasons for the novels enduring popularity, as well as the critical debates over whether it is a straightforward novel of sentiment or a satire on the social and economic inequalities of the period and the very literary conventions and morality it seems to embody. This edition also includes a new, up-to-date bibliography and expanded notes, and contains reprints of Arthur Friedman's authoritative Oxford English Novels text of the corrected first edition of 1766.
I was a bit surprised to learn that there was a debate over whether or not this 1766 Goldsmith novel is a satire. I think if it is read as anything other than a satire, its import is lost. The humor hidden just beneath the surface is the only thing I can imagine would have garnered it its popularity or held its recognition over the years. It was very popular in the 19th Century and has reportedly influenced many writers.The Vicar is a sanguine character, who grabs the silver lining from cloud
Our book club was looking for a light, classic, novel and I suggested this based on the good memories I had of reading it when I was younger. I am not sure how the younger girls in the club will rate this book but while I found it slow in getting started the delightful ending made up for it all. It is so satisfying to have all loose ends tied up neatly in a light farcical novel. There is a prevading 'goodness' about this book and kindheartedness which I continue to find heart-warming in these

Description: Oliver Goldsmith's hugely successful novel of 1766 remained for generations one of the most highly regarded and beloved works of eighteenth-century fiction. It depicts the fall and rise of the Primrose family, presided over by the benevolent vicar, the narrator of a fairy-tale plot of impersonation and deception, the abduction of a beautiful heroine and the machinations of an aristocratic villain. By turns comic and sentimental, the novel's popularity owes much to its recognizable
What I thought was going to be a sweet, charming chronicle of the life of a vicar and his family took a definite maudlin turn which I was not expecting. Then it turned into an absolute glut of marriages. It was all very "of-the-period" and I guess I should have been on notice (or read some of the reviews). I was amused by parts of it and I enjoyed the narration of the audiobook, but this book was just OK for me.
You can't get very far into Victorian literature without tripping over references to The Vicar of Wakefield. Either the novel's heroine is reading the book, making fun of the book or trying to teach her French pupils how to translate the book. Oliver Goldsmith's 1766 novel is sort of the Moby Dick of the 19th century, in that it was the book that everyone read, or was supposed to read, and thus, the default title to name drop. I'm not comparing the literary merit of Moby Dick and Vicar of
The nice thing about novels written mid-eighteenth century is that they are so different, to each other as well as to what we have come to expect from the realistic novels of the nineteenth. The sentimental story requires virtue assailed by calamity, but Goldsmith avoids the lachrymose by the sustained cheerful resilience of the Vicar, without him ever becoming annoying. Calamity succeeds disaster, and towards the end there's little left that hasn't yet occurred, but the calm light tone prevents
Oliver Goldsmith
Paperback | Pages: 197 pages Rating: 3.48 | 8909 Users | 487 Reviews

Declare Appertaining To Books The Vicar of Wakefield
| Title | : | The Vicar of Wakefield |
| Author | : | Oliver Goldsmith |
| Book Format | : | Paperback |
| Book Edition | : | Oxford World's Classics |
| Pages | : | Pages: 197 pages |
| Published | : | June 15th 2006 by Oxford University Press (first published 1766) |
| Categories | : | Classics. Fiction. Literature. 18th Century |
Ilustration Toward Books The Vicar of Wakefield
Oliver Goldsmith's hugely successful novel of 1766 remained for generations one of the most highly regarded and beloved works of eighteenth-century fiction. It depicts the fall and rise of the Primrose family, presided over by the benevolent vicar, the narrator of a fairy-tale plot of impersonation and deception, the abduction of a beautiful heroine and the machinations of an aristocratic villain. By turns comic and sentimental, the novel's popularity owes much to its recognizable depiction of domestic life and loving family relationships.New to this edition is an introduction by Robert L. Mack that examines the reasons for the novels enduring popularity, as well as the critical debates over whether it is a straightforward novel of sentiment or a satire on the social and economic inequalities of the period and the very literary conventions and morality it seems to embody. This edition also includes a new, up-to-date bibliography and expanded notes, and contains reprints of Arthur Friedman's authoritative Oxford English Novels text of the corrected first edition of 1766.
Mention Books During The Vicar of Wakefield
| Original Title: | The Vicar of Wakefield |
| ISBN: | 0192805126 (ISBN13: 9780192805126) |
| Edition Language: | English |
| Characters: | Revd. Dr. Charles and Deborah Primrose, Olivia and Sophia (daughters) |
Rating Appertaining To Books The Vicar of Wakefield
Ratings: 3.48 From 8909 Users | 487 ReviewsDiscuss Appertaining To Books The Vicar of Wakefield
I found this satire of mid-eighteenth century English society quite amusing. However, it wasn't as good as Goldsmith's famous play, She Stoops to Conquer. For this Librivox recording (version 2), I would give 4½*. Tadhg's Irish accent was perfect for this classic.I was a bit surprised to learn that there was a debate over whether or not this 1766 Goldsmith novel is a satire. I think if it is read as anything other than a satire, its import is lost. The humor hidden just beneath the surface is the only thing I can imagine would have garnered it its popularity or held its recognition over the years. It was very popular in the 19th Century and has reportedly influenced many writers.The Vicar is a sanguine character, who grabs the silver lining from cloud
Our book club was looking for a light, classic, novel and I suggested this based on the good memories I had of reading it when I was younger. I am not sure how the younger girls in the club will rate this book but while I found it slow in getting started the delightful ending made up for it all. It is so satisfying to have all loose ends tied up neatly in a light farcical novel. There is a prevading 'goodness' about this book and kindheartedness which I continue to find heart-warming in these

Description: Oliver Goldsmith's hugely successful novel of 1766 remained for generations one of the most highly regarded and beloved works of eighteenth-century fiction. It depicts the fall and rise of the Primrose family, presided over by the benevolent vicar, the narrator of a fairy-tale plot of impersonation and deception, the abduction of a beautiful heroine and the machinations of an aristocratic villain. By turns comic and sentimental, the novel's popularity owes much to its recognizable
What I thought was going to be a sweet, charming chronicle of the life of a vicar and his family took a definite maudlin turn which I was not expecting. Then it turned into an absolute glut of marriages. It was all very "of-the-period" and I guess I should have been on notice (or read some of the reviews). I was amused by parts of it and I enjoyed the narration of the audiobook, but this book was just OK for me.
You can't get very far into Victorian literature without tripping over references to The Vicar of Wakefield. Either the novel's heroine is reading the book, making fun of the book or trying to teach her French pupils how to translate the book. Oliver Goldsmith's 1766 novel is sort of the Moby Dick of the 19th century, in that it was the book that everyone read, or was supposed to read, and thus, the default title to name drop. I'm not comparing the literary merit of Moby Dick and Vicar of
The nice thing about novels written mid-eighteenth century is that they are so different, to each other as well as to what we have come to expect from the realistic novels of the nineteenth. The sentimental story requires virtue assailed by calamity, but Goldsmith avoids the lachrymose by the sustained cheerful resilience of the Vicar, without him ever becoming annoying. Calamity succeeds disaster, and towards the end there's little left that hasn't yet occurred, but the calm light tone prevents


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