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Title:No Exit and Three Other Plays
Author:Jean-Paul Sartre
Book Format:Paperback
Book Edition:First Edition
Pages:Pages: 275 pages
Published:1989 by Vintage (first published 1947)
Categories:Plays. Philosophy. Drama. Fiction. Classics. Cultural. France. Theatre
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No Exit and Three Other Plays Paperback | Pages: 275 pages
Rating: 4.1 | 25599 Users | 662 Reviews

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Hell is not other people. Hell is any holiday dinner with relatives.

Fashionable in the 50s, and still required reading in prep schools and many colleges, Sartre's play - once ventilated - is a discursive product of Dada and Existentialism mixed with Kierkegaard, Nietzsche and a lot of Pernod. In the mid-40s it made him the darling of the boozoisie in Montparnasse. Actually, he was inspired by Wedekind and Strindberg. An interesting thinker, Sarte here overlooks his own contradictions : though each man is his own hell, he states, hell is -- hold on ! -- other people.

With 3 characters, this play is a fav among college drama depts and many regional theatres. The original Broadway production in 1946 was directed x John Huston and had, we're told, a superb set by the artist Frederick Kiesler. It also had an adaptation x Paul Bowles. Others must be avoided. ~ Competing with Ethel Merman in Annie Get Your Gun, Margaret Rutherford as OWs Lady Bracknell and Ingrid Bergman in a paraphrase of St Joan, it vanished after 4 weeks. But Sartre, the playwright manque, still lingers as he examines our loneliness in a bleak, disinterested world. More importantly, he foreshadows the absurdist work of Beckett, Ionesco and Pinter.

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Original Title: No Exit and Three Other Plays
Edition Language: English

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Ratings: 4.1 From 25599 Users | 662 Reviews

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My first time reading anything of Satre's. I had high expectations which he somehow succeeded.Also the collection is available for free online at; https://web.archive.org/web/201311260...No Exit.The book's titular play and one of Sartre's most famous. The character dynamic was certainly interesting, but it seemed to drone on just a little. It's one of his most famous, but frankly it was my least favorite of the collection.The FliesA clever rework of the Greek myth. It reads like an epic tragedy,

Jean Paul Sartre uses hell for the setting of his existentially significant work, No Exit. While Sartre is an atheist, he uses a place that is fundamentally connected to Christian beliefs. Yet Sartre's hell is vastly dissimilar to the Christian conception of hell, and makes no reference to a God or Satan. Ultimately, the hell in No Exit serves the same purpose as a Christian hell: to torment and torture. The methods used are different, but the result is the same. In fact, Sartre's hell is more

Hell is not other people. Hell is any holiday dinner with relatives.Fashionable in the 50s, and still required reading in prep schools and many colleges, Sartre's play - once ventilated - is a discursive product of Dada and Existentialism mixed with Kierkegaard, Nietzsche and a lot of Pernod. In the mid-40s it made him the darling of the boozoisie in Montparnasse. Actually, he was inspired by Wedekind and Strindberg. An interesting thinker, Sarte here overlooks his own contradictions : though

I'll start off by saying I rated this book before realizing we only read one of the plays in college. Took me awhile to actually want to read the whole book. It's actually a pretty easy book to read. shouldn't take you more than four days.I really liked the first two plays in this book. No Exit is one of the best. I love the characters, the setting, the dialogue, and the plot. The Flies was a nice surprise too. It was interesting to read another existentialist writ about Greek mythology. I was

Huis Clos and Other Plays holds three plays: The Respectable Prostitute, Lucifer and the Lord, and Huis Clos.The Respectable Prostitute was interesting, though a bit simplistic. Sartre is very much into ethical responsibility, and the prostitute in this play only wants to do the right thing. In true essentialist fashion she is faced with an impossible situation which has no "good answer", and the end result is pretty depressing.Speaking of depressing, next up is Lucifer and the Lord. This play

This is a nice compilation of important plays by Sartre.No Exit is a nicely accessible work in which Sartre examines the nature of self identity. Three people sent to either purgatory or hell, whichever best fits your idea. It is a clever use of implotment and dialogue to reveal character. Perhaps a bit too obvious, but for drama such is how the point gets across. I found Sartre's attempt to examine ethics interesting. I am not sure when this work was produced relative to Sartre's career, but he

Hell is not other people. Hell is any holiday dinner with relatives.Fashionable in the 50s, and still required reading in prep schools and many colleges, Sartre's play - once ventilated - is a discursive product of Dada and Existentialism mixed with Kierkegaard, Nietzsche and a lot of Pernod. In the mid-40s it made him the darling of the boozoisie in Montparnasse. Actually, he was inspired by Wedekind and Strindberg. An interesting thinker, Sarte here overlooks his own contradictions : though