Be Specific About Containing Books The Last World
| Title | : | The Last World |
| Author | : | Christoph Ransmayr |
| Book Format | : | Paperback |
| Book Edition | : | Anniversary Edition |
| Pages | : | Pages: 246 pages |
| Published | : | May 3rd 1996 by Grove Press (first published 1988) |
| Categories | : | Fiction. European Literature. German Literature |
Christoph Ransmayr
Paperback | Pages: 246 pages Rating: 3.83 | 813 Users | 68 Reviews
Commentary Toward Books The Last World
Acclaimed as a modern masterpiece and as one of the most important novels of our time. The Last World is the story of a young man's quest for the exiled poet Ovid and the masterwork he has consigned to the flames. Ransmayr has created a visionary landscape, a transformed place where the ancient world meets the twentieth century. A metaphysical thriller both compelling and profound. The Last World draws the reader into a universe governed by the power of mythology, a world of decay on the brink of apocalypse. A novel about exile, censorship, and the destruction of the planet, this is a cultural and political fable that is blazingly topical, yet timeless.
Identify Books To The Last World
| Original Title: | Die letzte Welt |
| ISBN: | 0802134580 (ISBN13: 9780802134585) |
| Edition Language: | English |
| Setting: | Constanta(Romania) Rome(Italy) |
| Literary Awards: | Ars Translationis (1992), Schlegel-Tieck Prize for John E. Woods (1991) |
Rating Containing Books The Last World
Ratings: 3.83 From 813 Users | 68 ReviewsWeigh Up Containing Books The Last World
Not for the squeamish, not for children, The Last World by Christoph Ransmayer (translation by John Woods) is a Grimm fairy tale unrelenting in its horror. I could only read it in spurts, and it left me feeling sullied, in need of a shower and Listerine. It is a novel redolent of putrefaction and iridescent with flies on carrion. In all its aspects it is an antidote to popular fiction and a testament to what imagination and language can achieve. I give it five stars. It is a rant againstRansmayr wrote a fascinating novel about Cotta's search for the banished Roman poet Ovid (called with his second name Naso). The Roman Cotta is going in search to Tomi (Constanta) at the Black Sea (the end of the world) and is more and more blundering into Ovid's world, in which he's meeting protagonists from Ovid's "Metamorphoses" and coming into the world of roman and greek mythologie. In the narrative, customs and objects of the ancient world intermingle with twentieth century technology.
A difficult book to put down and a difficult one to pin down. The suspension of disbelief doesn't quite hold for its entire length. Although its not long, it feels less like a novel and more like a Surrealist movie - full of striking images and two hours would probably be enough. A young man goes looking for the banished Roman poet Publius Ovidius Naso at a mining town at the end of the earth. Old worlds and new collide - characters from Ovid's Metamorphoses appear in modern approximations of
Seems to be love it or hate it. I definitely loved, extremely powerful and captivating writing (in German, cannot comment on the translation).
Not my cup of tea. After 20 pages I knew: this book has the same effect on me as Death of Vergil by Marc Broch, or the Wedding of Cadmos and Harmonia by Roberto Calasso; too effusive, too elaborate, and unreally strange. It's not only the exotic mythology (after all it's about Ovid and his book about transformations), but more the consciously anachronistic method of writing (films are projected in ancient Greek cities; microphones are used in gladiator-arenas; Germans are stranded in some far
Ovid's mysterious exile to the then-remote Black Sea town of Tomi, retold as a shifting and surreal detective story where all times are one, so Rome has potatoes and loudspeakers and firing squads, and Tomi communal cinema shows when the wandering projectionist comes to town, and echoes of the characters from Ovid's own poems (Echo herself among them) seem to be the only inhabitants, and all appear intent on keeping something from the protagonist. Somewhere between the original and the
All times are one time and the past is frozen into the present.By now the herdsman was only dreaming his cow, and the Roman was dreaming the herdsman, and moon and mountains were mere chimeras when the music suddenly broke off and a shadow appeared at Nasos door, glided over the threshold, reached for the ax lying on the floor, leaped at the sleeping monstrosity. And struck.Under the savage force of the ax blow the herdsmans eyes fell away like scales, scattering into the corners, drops of
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